4B444852444B
The imagery within the Kinky Pops series cleverly blends iconic pop art elements with overtly erotic motifs, challenging traditional boundaries between high art and popular culture, as well as between art and pornography. Bold graphics and flowing whimsical forms dominate the composition, creating an inviting yet audacious atmosphere.
The use of bright, saturated colours resonates with the viewer, while the neon accents serve to draw the eye and provoke thought. This artwork speaks to the viewer's senses, inviting them to both celebrate and critique the juxtaposition of commercialism and eroticism. It is a commentary on society's relationship with desire and mass media, ultimately creating a dialogue that is both playful and provocative. The first ten masters use not only the four colour process but also an additional neon ink which makes them pop!
Posters are shipped in robust recycled cardboard mailing tubes with recyclable plastic end caps.
The imagery within the Kinky Pops series cleverly blends iconic pop art elements with overtly erotic motifs, challenging traditional boundaries between high art and popular culture, as well as between art and pornography. Bold graphics and flowing whimsical forms dominate the composition, creating an inviting yet audacious atmosphere.
The use of bright, saturated colours resonates with the viewer, while the neon accents serve to draw the eye and provoke thought. This artwork speaks to the viewer's senses, inviting them to both celebrate and critique the juxtaposition of commercialism and eroticism. It is a commentary on society's relationship with desire and mass media, ultimately creating a dialogue that is both playful and provocative. The first ten masters use not only the four colour process but also an additional neon ink which makes them pop!
Posters are shipped in robust recycled cardboard mailing tubes with recyclable plastic end caps.
The imagery within the Kinky Pops series cleverly blends iconic pop art elements with overtly erotic motifs, challenging traditional boundaries between high art and popular culture, as well as between art and pornography. Bold graphics and flowing whimsical forms dominate the composition, creating an inviting yet audacious atmosphere.
The use of bright, saturated colours resonates with the viewer, while the neon accents serve to draw the eye and provoke thought. This artwork speaks to the viewer's senses, inviting them to both celebrate and critique the juxtaposition of commercialism and eroticism. It is a commentary on society's relationship with desire and mass media, ultimately creating a dialogue that is both playful and provocative. The first ten masters use not only the four colour process but also an additional neon ink which makes them pop!
Posters are shipped in robust recycled cardboard mailing tubes with recyclable plastic end caps.
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Title: 4B444852444B. Series: Kinky Pops.
Year: 2018. Size: A0 | 841 x 1189MM | Portrait. Process: CMYK + Neon Ink. Lithographic Print.
Stock: 200GSM Fedrigoni Arena Smooth. Initial Print Run: Limited Edition 150 (8 Signed). Additional Details: Only the first 10 copies include additional neon ink.Note: These details describe the Lithographic Masters only and not Digital Slaves, which are reprodutions.
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The Press Experience presents a unique opportunity for patrons to witness the entire printing and production process and take possession of the very first signed and numbered Lithographic Master. This exclusive opportunity is available to only one customer. It involves observing the artwork being printed from a digital file to its final product. Given that this particular artwork or version will never be reprinted, the patron's purchase will be a one-of-a-kind piece. Typically, only two to a dozen copies are signed and numbered. All Lithographic Masters are printed on high-quality stocks using professional presses and often feature additional spot colour inks or varnishes, as well as other specialist printing techniques. Upon purchasing the Press Experience, the patron will be contacted to discuss a suitable time for them to attend the press, and every effort will be made to accommodate their needs.
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Lithographic Masters are the original and authentic masters, produced during the first and only print run. These Lithographic Masters are usually not signed or numbered and are printed in slightly higher numbers, usually ranging from ten to fifty. Since these are the first-run Lithographic Masters printed during the Press Experience, they are usually produced on the same high-quality stocks and often share the same specialist printing techniques.
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These are digital copies of the original masters, usually produced in smaller sizes and larger quantities, ranging from ten to two hundred copies. Digital slaves are often unsigned, but there are exceptions. They are usually printed on different paper stocks than the lithographic masters and are unlikely to include special printing techniques such as varnishes or spot colours.