Eastern Bloc versus Punto Aparte Poster
Introducing Spectral, a typeface that breaks the boundaries of traditional typography. Unlike any other, Spectral's colors transcend the limits of regular letterforms and add vibrancy to any design. Each hue in this typographic symphony tells a story of revolution and passion. With Spectral, words become secondary to the brilliant range of shades that dance harmoniously to evoke a sense of depth or a hidden meaning. In the limitless world of design, Spectral stands tall as a testament to the boundless possibilities that emerge when imagination and typography merge. Here the 2009 typeface has been used to create the colour palette for Eastern Bloc.
Posters are shipped in robust recycled cardboard mailing tubes with recyclable plastic end caps.
Introducing Spectral, a typeface that breaks the boundaries of traditional typography. Unlike any other, Spectral's colors transcend the limits of regular letterforms and add vibrancy to any design. Each hue in this typographic symphony tells a story of revolution and passion. With Spectral, words become secondary to the brilliant range of shades that dance harmoniously to evoke a sense of depth or a hidden meaning. In the limitless world of design, Spectral stands tall as a testament to the boundless possibilities that emerge when imagination and typography merge. Here the 2009 typeface has been used to create the colour palette for Eastern Bloc.
Posters are shipped in robust recycled cardboard mailing tubes with recyclable plastic end caps.
Introducing Spectral, a typeface that breaks the boundaries of traditional typography. Unlike any other, Spectral's colors transcend the limits of regular letterforms and add vibrancy to any design. Each hue in this typographic symphony tells a story of revolution and passion. With Spectral, words become secondary to the brilliant range of shades that dance harmoniously to evoke a sense of depth or a hidden meaning. In the limitless world of design, Spectral stands tall as a testament to the boundless possibilities that emerge when imagination and typography merge. Here the 2009 typeface has been used to create the colour palette for Eastern Bloc.
Posters are shipped in robust recycled cardboard mailing tubes with recyclable plastic end caps.
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Title: Eastern Bloc versus Punto Aparte Series: N/A.
Year: 2022. Size: A1 | 594 x 841MM | Portrait. Process: CMYK Lithographic Print.
Stock: 200GSM Fedrigoni Arena Smooth. Initial Print Run: Limited Edition 20 (2 Signed). Additional Details: N/A.Note: These details describe the Lithographic Masters only and not Digital Slaves, which are reprodutions.
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The Press Experience presents a unique opportunity for patrons to witness the entire printing and production process and take possession of the very first signed and numbered Lithographic Master. This exclusive opportunity is available to only one customer. It involves observing the artwork being printed from a digital file to its final product. Given that this particular artwork or version will never be reprinted, the patron's purchase will be a one-of-a-kind piece. Typically, only two to a dozen copies are signed and numbered. All Lithographic Masters are printed on high-quality stocks using professional presses and often feature additional spot colour inks or varnishes, as well as other specialist printing techniques. Upon purchasing the Press Experience, the patron will be contacted to discuss a suitable time for them to attend the press, and every effort will be made to accommodate their needs.
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Lithographic Masters are the original and authentic masters, produced during the first and only print run. These Lithographic Masters are usually not signed or numbered and are printed in slightly higher numbers, usually ranging from ten to fifty. Since these are the first-run Lithographic Masters printed during the Press Experience, they are usually produced on the same high-quality stocks and often share the same specialist printing techniques.
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These are digital copies of the original masters, usually produced in smaller sizes and larger quantities, ranging from ten to two hundred copies. Digital slaves are often unsigned, but there are exceptions. They are usually printed on different paper stocks than the lithographic masters and are unlikely to include special printing techniques such as varnishes or spot colours.